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[indie-folk] (2022) Gabriel Kahane - Magnificent Bird [FLAC] [DarkAngie]

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Description

(2022) Gabriel Kahane - Magnificent Bird




Review:
For his 2018 Nonesuch debut, the
poignant Book of Travelers, songwriter Gabriel Kahane delivered a song cycle inspired by going phone-free on a 13-day,
nearly 9,000-mile train trip immediately following the 2016 U.S. presidential election — the idea being to interact
with his fellow countrymen in fully human form. His less-social label follow-up, Magnificent Bird, is related
conceptually in that it collects songs written during a self-imposed year with no Internet (late 2019 to October 2020).
Little did he know that the COVID-19 pandemic would proliferate in the meantime, so when it came time to record
selections culled from dozens of resulting songs, he re-embraced the technology in order to include contributions from
around a dozen musician friends. One of the most personnel-heavy tracks on an intimate set that affects with its
detailing is “To Be American,” a song that remembers the misguided innocence of youth “Before the trench coats and
the roped off rooms/The shell-shocked mothers and the TV crews.” The track opens with Punch Brothers’ Chris Thile
(mandolin) and Paul Kowert (double bass) alongside Andrew Bird (violin) on slightly unsettling but grooving plucked
strings before Kahane joins in with his typically lyrical, tonality-shifting vocals and piano. The song also features
Ted Poor on likewise subtly off-balance percussion, and Caroline Shaw on ghostly backing vocals behind condemning lyrics
like “Drain everything, land of the plenty.” Another of the more collaborative tracks, the trippier “The Basement
Engineer,” highlights Kahane’s piano and warped synths while adding playful accompaniment by Alexandra Sopp on flute
and piccolo as well as avant-folkies Sam Amidon and Holcombe Waller on choral-like backing vocals. Sylvan Esso’s
Amelia Meath contributes harmony vocals to another plugged-in track, the pandemic-acknowledging “Linda & Stuart”
(“The deliverymen, in their light blue surgical masks/Knock twice, leave groceries double-bagged at the door”).
Elsewhere, tracks like “We Are the Saints” and “The Hazelnut Tree” are wistful, near-solo piano songs with added
touches like the quietly howling noise and siren-like effects of the latter (a combination of Kahane’s synths and
violin by Pekka Kuusisto). Magnificent Bird closes on the most personal song of them all, “Sit Shiva,” which mourns
the loss of Kahane’s grandmother with a light, bittersweet touch. Another piano-synth crossover entry, it features
Casey Foubert and Joseph Lorge on guitars and vocal accompaniment by Elizabeth & the Catapult’s Elizabeth Ziman.
Graceful and moving throughout, the album’s ten tracks are far from elaborate, drifting by in less than 30 minutes
like fleeting thoughts while adding another piece of cultural Americana to Kahane’s discography, despite its
individualistic origins.






Track List:
1.We Are
the Saints 03:15
2.Hot Pink Raingear 02:22
3.The Hazelnut Tree 02:20
4.To Be American 02:57
5.Chemex
02:23
6.Linda & Stuart 02:38
7.Magnificent Bird 02:41
8.The Basement Engineer 01:47
9.Die
Traumdeutung 03:53
10.Sit Shiva 03:21


Media Report:
Genre: indie-folk
Country: USA
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2
channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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